Jumat, 11 November 2011

Blood into Wine

  • Extended Interviews
  • Alternate Scenes
  • Deleted Scenes
  • Never before seen concert footage
  • Wine Documentary
For wine dealer Alex Gates (Jack Nicholson) it hasn't been a vintage year-his business is on the rocks as is his marriage to Suzanne (Judy Davis). His stepson, Jason (Stephen Dorff), hates him, and his mistress, Gabrielle (Jennifer Lopez), is asking for a commitment. In desperation, Alex conspires with his safecracker buddy, Victor (Michael Caine), to steal a million dollar diamond necklace from a wealthy client.You can feel the gears grinding, trying to turn this attempt at film noir into something sleek and insinuating, instead of the labored near miss it turns out to be. Jack Nicholson is a Florida wine merchant whose business isn't as good as he has his unhappy wife (Judy Davis) believe. He's also consistently at odds with his churlish stepson (Stephen D! orff). Meanwhile, Nicholson is plotting to steal an expensive diamond necklace and dump his wife, aided by his mistress (Jennifer Lopez) and a sleazy safecracker (Michael Caine). It's the kind of thing James M. Cain used to toss off effortlessly, but in director Bob Rafelson's hands the strain shows at every seam as crime and romantic treachery put all of the characters on a violent collision course. --Marshall FineDREAMY DRAW RELEASING presents Blood Into Wine (DVD).

Maynard James Keenan, internationally known as the front man for Tool, A Perfect Circle and Puscifer, is one of music?s most mysterious figures.  A multi-million selling artist, little is known about the reclusive rock star who often dresses in costume and rarely gives interviews.  In the mid-1990's, on a whim, Keenan left Los Angeles and moved to an Arizona ghost town (population 300).  A wine enthusiast, he began to envision a world class wine region on the Verde Valley'! s craggy slopes and with wine mentor Eric Glomski (former Davi! d Bruce winemaker and current owner of the award-winning Page Springs Cellars), Keenan began the long road to bringing credibility and notoriety to Caduceus and Arizona Stronghold Vineyards amidst wine industry prejudice and the harsh Arizona terrain. Blood Into Wine takes viewers into the struggles and triumphs with a unique blend of comedy and master storytelling.

Special Features Include:

  • Bonus Interviews with Maynard and Eric.
  • Exclusive Puscifer concert footage.
  • Deleted scenes of Tim and Eric.
  • And More!

Actors:

Maynard James Keenan, Eric Glomski, Milla Jovovich, Patton Oswalt, Bob Odenkirk, Tim Heidecker & Eric Wareheim, James Suckling.

Lifetime Collective Men's Crazy Horse Button Up Shirt, Dark Blue, Medium

Friday Night Lights: The Fourth Season

  • Condition: New
  • Format: DVD
  • AC-3; Box set; Color; Dolby; DVD; Subtitled; Widescreen; NTSC
Studio: Uni Dist Corp. (mca) Release Date: 10/04/2011For four years, the residents and students of Dillon, Texas, have faced difficult choices on and off the field with courage, passion and perseverance. Now the time has come to find closure for problems of the past while pursuing new possibilities that will lead many beyond Dillon city limits. But, will everyone be up to the challenge?Saying goodbye to Dillon, Texas, won't be easy for those who've been with Friday Night Lights from the start--especially those who read the book or saw the movie. Over five years on NBC, students graduated, the high school changed (from West to East Dillon), and Eric and Tami Taylor (Kyle Chandler and Connie Britton) and Buddy Garrity (Brad Leland) remained constants, sometimes making mistakes, but a! lways trying to do right by their kids--biological and otherwise. And few shows offered more believable relationships, from Coach and Tami to Luke (Matt Lauria) and Becky (Madison Burge), who rekindle their romance in the final season.

If the fourth year marked the end of an era, the fifth revolves around new beginnings: Tami returns to her role as guidance counselor (after a controversial reign as principal), Buddy takes his wayward son under his wing, Julie (Aimee Teegarden) has a rough start at college, Billy (Derek Phillips) becomes assistant football coach, Becky moves in with him and his wife, and quarterback Vince (Michael B. Jordan), who continues to see Jess (Jurnee Smollett), tangles with his recently paroled father, Ornette (Cress Williams). Naturally, there are a few new arrivals, but they don't make the same impact as returning Dillon veterans Landry (Jesse Plemons), Jason (Scott Porter), Matt (Zach Gilford), Tyra (Adrianne Palicki), and Billy's younger brot! her, Tim (Taylor Kitsch), whose adjustment to life after priso! n parall els Ornette's experience.

This 13-episode arc traces the road to the state championships and marks the end of one of television's most emotionally involving shows, always operating on the principle that everyone can change, and that there's still room on network TV for semi-improvised, documentary-style filmmaking. Deleted scenes, commentary tracks, and a featurette offer a comprehensive look back at a stellar series, truly one of the medium's very best. --Kathleen C. FennessyOne of the greatest TV dramas of all time continues with 13 gripping fourth season episodes of the critically acclaimed series Friday Night Lights. Small-town life in Dillon has changed irrevocably with the dramatic split of the school district. Coach Taylor (Kyle Chandler) finds himself fighting for the respect of the East Dillon Lions, while his wife, Tami (Connie Britton), faces her own battles as principal of the Dillon High Panthers. Across town, it’s a season for change as gradu! ating students face life after high school, and new students deal with hostile rivalries. From executive producers Brian Grazer, Peter Berg and Jason Katims comes the show that critics rave “may have the greatest emotional range of any series ever on television” (Neal Gabler, Los Angeles Times).

Domino Express Racing

Bad News Bears Deluxe Baseball Cap-Adult

  • Item Includes:: Hat
  • Pictured items not included:: Shirt
  • Material:: 100% Cotton
  • Adult Bad New Bears Cap
  • Features a bright yellow baseball cap with The BadNews Bears logo on the front.
In 1977, The Bad News Bears in Breaking Training had a moment in the sun. A glowing junk sculpture of American genres—sports flick, coming-of-age story, family melodrama, after-school special, road narrative—the film cashed in on the previous year’s success of its predecessor, The Bad News Bears. Arguing against the sequel’s dismissal as a cultural afterthought, Josh Wilker lovingly rescues from the oblivion of cinema history a quintessential expression of American resilience and joy.

Rushed into theaters by Paramount when the beleaguered film industry was suffering from Â"acute sequelitis,” the (undeniably flawed) movie miraculously transcended it! s limitations to become a gathering point for heroic imagery drawn from American mythology. Considered in context, the film’s unreasonable optimism, rooted in its characters’ sincere desire to keep playing, is a powerful response to the political, economic, and social stresses of the late 1970s.

To Wilker’s surprise, despite repeated viewings, The Bad News Bears in Breaking Training continues to move him. Its huge heart makes it not only the ultimate fantasy of the baseball-obsessed American boy, but a memorable iteration of that barbed vision of pure sunshine itself, the American dream.
First of a trilogy of films takes an unflinching look at the underbelly of little league baseball in Southern California. Former minor leaguer Morris Buttermaker is a lazy, beer swilling swimming pool cleaner who takes money to coach the Bears, a bunch of disheveled misfits who have virtually no baseball talent. Realizing his dilemma, Coach Buttermaker brings ab! oard girl pitching ace Amanda Whurlizer, the daughter of a for! mer girl friend, and Kelly Leak, a motorcycle punk who happens to be the best player around. Brimming with confidence, the Bears look to sweep into the championship game and avenge an earlier loss to their nemesis, the Yankees.
In 1977, The Bad News Bears in Breaking Training had a moment in the sun. A glowing junk sculpture of American genres—sports flick, coming-of-age story, family melodrama, after-school special, road narrative—the film cashed in on the previous year’s success of its predecessor, The Bad News Bears. Arguing against the sequel’s dismissal as a cultural afterthought, Josh Wilker lovingly rescues from the oblivion of cinema history a quintessential expression of American resilience and joy.

Rushed into theaters by Paramount when the beleaguered film industry was suffering from Â"acute sequelitis,” the (undeniably flawed) movie miraculously transcended its limitations to become a gathering point for heroic imagery drawn from American ! mythology. Considered in context, the film’s unreasonable optimism, rooted in its characters’ sincere desire to keep playing, is a powerful response to the political, economic, and social stresses of the late 1970s.

To Wilker’s surprise, despite repeated viewings, The Bad News Bears in Breaking Training continues to move him. Its huge heart makes it not only the ultimate fantasy of the baseball-obsessed American boy, but a memorable iteration of that barbed vision of pure sunshine itself, the American dream.
In 1977, The Bad News Bears in Breaking Training had a moment in the sun. A glowing junk sculpture of American genres—sports flick, coming-of-age story, family melodrama, after-school special, road narrative—the film cashed in on the previous year’s success of its predecessor, The Bad News Bears. Arguing against the sequel’s dismissal as a cultural afterthought, Josh Wilker lovingly rescues from the oblivion of cinem! a history a quintessential expression of American resilience a! nd joy.< BR>
Rushed into theaters by Paramount when the beleaguered film industry was suffering from Â"acute sequelitis,” the (undeniably flawed) movie miraculously transcended its limitations to become a gathering point for heroic imagery drawn from American mythology. Considered in context, the film’s unreasonable optimism, rooted in its characters’ sincere desire to keep playing, is a powerful response to the political, economic, and social stresses of the late 1970s.

To Wilker’s surprise, despite repeated viewings, The Bad News Bears in Breaking Training continues to move him. Its huge heart makes it not only the ultimate fantasy of the baseball-obsessed American boy, but a memorable iteration of that barbed vision of pure sunshine itself, the American dream.
Includes one yellow baseball cap.


Shark Tale (Widescreen Edition)

  • Actors: Will Smith, Robert De Niro, Renée Zellweger, Angelina Jolie, Jack Black.
  • Format: AC-3, Closed-captioned, Color, Dolby, Dubbed, DVD, Subtitled, Widescreen, NTSC.
  • Language: English, Spanish, French. Subtitles: English, French, Spanish.
  • Region: Region 1 (U.S. and Canada only).
  • Rated PG. Run Time: 90 minutes.
"Bee Movie" is a comedy that will change everything you think you know about bees. Having just graduated from college, a bee by the name of Barry B. Benson (Jerry Seinfeld) finds himself disillusioned with the prospect of having only one career choiceâ€"honey. As he ventures outside of the hive for the first time, he breaks one of the cardinal rules of the bee world and talks to a human, a New York City florist named Vanessa (Renee Zellweger). He is shocked to discover that the humans have been stealing and eating the bee’s honey for centuries. He u! ltimately realizes that his true calling in life is to set the world right by suing the human race. That is until the ensuing chaos upsets the very balance of nature. It is up to Barry to prove that even a little bee can spell big changes in the world.There aren't a lot of choices in a bee's life: a bee attends a few days of school, graduates from college, and chooses a job in the hive that he'll labor at for the rest of his life. Barry (Jerry Seinfeld) is different from his best friend Adam (Matthew Broderick) and all the other bees: he wants to see the world outside the hive and can't begin to contemplate doing the same job for his entire life. Naturally, the life of the "pollen jock" bees appeals to Barry because it's the only job that takes a bee outside the hive and into the larger human world. Once outside the hive, Barry breaks the most sacred bee law and speaks to a human named Vanessa (Renée Zellweger) in order to thank her for saving his life. A relationship ! quickly blossoms and leads Barry to the discovery that humans ! are stea ling honey from the bees and selling it for their own profit. Vowing to hurt the humans the one place they’ll feel it, Barry brings a legal suit against the honey industry and the courtroom drama begins. There are some hysterical moments in the film, as one would expect from a Seinfeld production, and an abundance of one-liners, double-meanings, slapstick humor, and innuendo-laden dialogue that will keep adults guffawing throughout the show. Still, the whole concept of seeing the life of a common pest through non-human eyes is getting repetitive thanks to films like Ratatouille, Flushed Away, Open Season, and Over the Hedge. It should be noted, though, that this first foray into animation by Jerry Seinfeld was four years in production due to its collaborative nature, so its theme may actually have well predated all of the aforementioned films. Children ages 5 and older will love the bees' silly antics, though many of the jokes will go right! over their heads and parents should be cautioned about some mildly suggestive humor. More than just a comical film about the life of one very different honeybee, Bee Movie is a social commentary that pokes fun at human behavior while stressing the importance of doing even the most menial job well and championing the power of working together toward a common goal. There's even a lesson to be learned from the bees about controlling one's temper. --Tami Horiuchi"Bee Movie" is a comedy that will change everything you think you know about bees. Having just graduated from college, a bee by the name of Barry B. Benson (Jerry Seinfeld) finds himself disillusioned with the prospect of having only one career choiceâ€"honey. As he ventures outside of the hive for the first time, he breaks one of the cardinal rules of the bee world and talks to a human, a New York City florist named Vanessa (Renee Zellweger). He is shocked to discover that the humans have been stealin! g and eating the bee’s honey for centuries. He ultimately re! alizes t hat his true calling in life is to set the world right by suing the human race. That is until the ensuing chaos upsets the very balance of nature. It is up to Barry to prove that even a little bee can spell big changes in the world.There aren't a lot of choices in a bee's life: a bee attends a few days of school, graduates from college, and chooses a job in the hive that he'll labor at for the rest of his life. Barry (Jerry Seinfeld) is different from his best friend Adam (Matthew Broderick) and all the other bees: he wants to see the world outside the hive and can't begin to contemplate doing the same job for his entire life. Naturally, the life of the "pollen jock" bees appeals to Barry because it's the only job that takes a bee outside the hive and into the larger human world. Once outside the hive, Barry breaks the most sacred bee law and speaks to a human named Vanessa (Renée Zellweger) in order to thank her for saving his life. A relationship quickly blossoms and ! leads Barry to the discovery that humans are stealing honey from the bees and selling it for their own profit. Vowing to hurt the humans the one place they’ll feel it, Barry brings a legal suit against the honey industry and the courtroom drama begins. There are some hysterical moments in the film, as one would expect from a Seinfeld production, and an abundance of one-liners, double-meanings, slapstick humor, and innuendo-laden dialogue that will keep adults guffawing throughout the show. Still, the whole concept of seeing the life of a common pest through non-human eyes is getting repetitive thanks to films like Ratatouille, Flushed Away, Open Season, and Over the Hedge. It should be noted, though, that this first foray into animation by Jerry Seinfeld was four years in production due to its collaborative nature, so its theme may actually have well predated all of the aforementioned films. Children ages 5 and older will love the bees' si! lly antics, though many of the jokes will go right over their ! heads an d parents should be cautioned about some mildly suggestive humor. More than just a comical film about the life of one very different honeybee, Bee Movie is a social commentary that pokes fun at human behavior while stressing the importance of doing even the most menial job well and championing the power of working together toward a common goal. There's even a lesson to be learned from the bees about controlling one's temper. --Tami Horiuchi

Features include:

•MPAA Rating: PG
•Format: Blu-Ray
"Bee Movie" is a comedy that will change everything you think you know about bees. Having just graduated from college, a bee by the name of Barry B. Benson (Jerry Seinfeld) finds himself disillusioned with the prospect of having only one career choiceâ€"honey. As he ventures outside of the hive for the first time, he breaks one of the cardinal rules of the bee world and talks to a human, a New York City florist named Vanessa (Renee Zel! lweger). He is shocked to discover that the humans have been stealing and eating the bee’s honey for centuries. He ultimately realizes that his true calling in life is to set the world right by suing the human race. That is until the ensuing chaos upsets the very balance of nature. It is up to Barry to prove that even a little bee can spell big changes in the world.There aren't a lot of choices in a bee's life: a bee attends a few days of school, graduates from college, and chooses a job in the hive that he'll labor at for the rest of his life. Barry (Jerry Seinfeld) is different from his best friend Adam (Matthew Broderick) and all the other bees: he wants to see the world outside the hive and can't begin to contemplate doing the same job for his entire life. Naturally, the life of the "pollen jock" bees appeals to Barry because it's the only job that takes a bee outside the hive and into the larger human world. Once outside the hive, Barry breaks the most sacred bee ! law and speaks to a human named Vanessa (Renée Zellweger) in ! order to thank her for saving his life. A relationship quickly blossoms and leads Barry to the discovery that humans are stealing honey from the bees and selling it for their own profit. Vowing to hurt the humans the one place they’ll feel it, Barry brings a legal suit against the honey industry and the courtroom drama begins. There are some hysterical moments in the film, as one would expect from a Seinfeld production, and an abundance of one-liners, double-meanings, slapstick humor, and innuendo-laden dialogue that will keep adults guffawing throughout the show. Still, the whole concept of seeing the life of a common pest through non-human eyes is getting repetitive thanks to films like Ratatouille, Flushed Away, Open Season, and Over the Hedge. It should be noted, though, that this first foray into animation by Jerry Seinfeld was four years in production due to its collaborative nature, so its theme may actually have well predated all of the afo! rementioned films. Children ages 5 and older will love the bees' silly antics, though many of the jokes will go right over their heads and parents should be cautioned about some mildly suggestive humor. More than just a comical film about the life of one very different honeybee, Bee Movie is a social commentary that pokes fun at human behavior while stressing the importance of doing even the most menial job well and championing the power of working together toward a common goal. There's even a lesson to be learned from the bees about controlling one's temper. --Tami HoriuchiStudio: Paramount Home Video Release Date: 05/20/2008 Run time: 90 minutes Rating: PgThere aren't a lot of choices in a bee's life: a bee attends a few days of school, graduates from college, and chooses a job in the hive that he'll labor at for the rest of his life. Barry (Jerry Seinfeld) is different from his best friend Adam (Matthew Broderick) and all the other bees: he wants to! see the world outside the hive and can't begin to contemplate! doing t he same job for his entire life. Naturally, the life of the "pollen jock" bees appeals to Barry because it's the only job that takes a bee outside the hive and into the larger human world. Once outside the hive, Barry breaks the most sacred bee law and speaks to a human named Vanessa (Renée Zellweger) in order to thank her for saving his life. A relationship quickly blossoms and leads Barry to the discovery that humans are stealing honey from the bees and selling it for their own profit. Vowing to hurt the humans the one place they’ll feel it, Barry brings a legal suit against the honey industry and the courtroom drama begins. There are some hysterical moments in the film, as one would expect from a Seinfeld production, and an abundance of one-liners, double-meanings, slapstick humor, and innuendo-laden dialogue that will keep adults guffawing throughout the show. Still, the whole concept of seeing the life of a common pest through non-human eyes is getting repetiti! ve thanks to films like Ratatouille, Flushed Away, Open Season, and Over the Hedge. It should be noted, though, that this first foray into animation by Jerry Seinfeld was four years in production due to its collaborative nature, so its theme may actually have well predated all of the aforementioned films. Children ages 5 and older will love the bees' silly antics, though many of the jokes will go right over their heads and parents should be cautioned about some mildly suggestive humor. More than just a comical film about the life of one very different honeybee, Bee Movie is a social commentary that pokes fun at human behavior while stressing the importance of doing even the most menial job well and championing the power of working together toward a common goal. There's even a lesson to be learned from the bees about controlling one's temper. --Tami HoriuchiSET IN SOUTH CAROLINA IN 1964, IS THE MOVING TALE OF LILY OWENS (FANNING! ) A 14 YEAR-OLD GIRL WHO IS HAUNTED BY THE MEMORY OF HERLATE M! OTHER (B URTON).Headed by an all-star cast of women, The Secret Life of Bees is the heartwarming and well-told story of a young girl who finds love and acceptance from a trio of independent sisters. The Secret Life of Bees is based on the bestselling book of the same name by Sue Monk Kidd and centers around the plight of 14-year-old Lily (Dakota Fanning). Assuming the burden for her mother's premature death, she has a precarious relationship with her abusive father T. Ray (Paul Bettany). Lily's only friend is her caregiver Rosaleen (Academy Award winner Jennifer Hudson). Set in South Carolina in 1964, when civil rights wasn't a given, Rosaleen's life is threatened by racists who'd just as soon see her dead than exercise her right to vote. Lily runs away with her to a town she believes may hold the secrets of her mother's life. There the pair meet the Boatwright sisters August (Queen Latifah), June (Alicia Keys) and May (Sophie Okonedo)--who produce the area's famous! Black Madonna honey. They eventually provide Lily with the unconditional love she never felt she had and also show Rosaleen that being a black woman in the South doesn't mean she can't have a sense of worth. The Secret Life of Bees doesn't try to pass itself off as a historical documentation of race relations in the 1960s. But the fictional slice of life still resonates because of the feelings of injustice that it stirs up. Though the film is written to show the disparity between blacks and whites, there is always a strong sense of hope, thanks to the lead actresses who bring empathy and dignity to their roles. Hudson exhibits some of the same quiet grace that Regina Taylor brought to her role as the family housekeeper in the superb TV series I'll Fly Away. Latifah has the part of wise matriarch down pat, even when she's playing a sister rather than a mother. And it's clear that Fanning is making a seamless transition from kid to young adult roles. Whethe! r she's giving an impassioned monologue or listening thoughtfu! lly, Fan ning brings nuance and intelligence to her role. --Jae-Ha Kim



Stills from The Secret Life of Bees (Click for larger image)


   

A comic catch from the studio that brought you Shrek, Shark Tale is a hilarious hit and "a wonderful under-the-sea adventure for movie lovers of all ages!" (Clay Smith, Access Hollywood)

Oscar (Will Smith), a lowly tongue-scrubber at the local Whale Wash, becomes an improbable hero when he tells a great white lie. To keep his secret, Oscar teams up with an outcast vegetarian shark, Lenny (Jack Black), and the two become the most unlikely of friends. When his lie begins to unravel, it’s up to Oscar’s loyal friend Angie (Renée Zellweger) and Lenny to help him stand up to the most feared shark in the water (Robert De Niro) and find his true place in the reef.When a shark accidentally clobbers himself, a small fish named Oscar (voiced by Will Smith, I, Robot) just happens to be around, prompting everyone to believe that he killed the shark himself. T! his lie soon makes Oscar a celebrity, worshipped by the genera! l mass o f fish, wooed by a glittering golddigger (Angelina Jolie, Girl, Interrupted), missed by his best friend (Renee Zellweger, Cold Mountain)--and hunted by the godfather of great whites (Robert De Niro, Goodfellas). Can a vegetarian shark named Lenny (Jack Black, School of Rock) get Oscar out of this mess? The formulaic story of Shark Tale never reaches the giddy heights of Pixar's output (Finding Nemo, Monsters Inc., Toy Story) or the freewheeling comedy of Shrek, but it's capably told and impeccably animated--the sheer technical skill is stunning. Kids won't get the mobster jokes or the other pop-culture references, but they'll enjoy it nonetheless. --Bret Fetzer

Haiku Tunnel Framed Poster Movie 11 x 17 Inches - 28cm x 44cm Josh Kornbluth Warren Keith Leah Alperin

First Knight (Special Edition) [Blu-ray]

  • Condition: New
  • Format: Blu-ray
  • Anamorphic; Color; Dolby; Subtitled; Widescreen
New, in original shrink wrap!1995 had already seen the box-office success of sword-wielding heroes in Rob Roy and Braveheart when along came this glossy revision of the Arthurian legend, in which Lady Guinevere (Julia Ormond) is torn between her love for the noble King Arthur (Sean Connery) and the passionate knight Sir Lancelot (Richard Gere). As the story opens, Guinevere's lands are under attack by the evil knight Malagant (Ben Cross), and she must choose between marriage to Arthur and the security of Camelot, or encouraging the affections of Lancelot, who has heroically rescued her from a potentially lethal attack. Anyone looking for meticulous medieval authenticity won't find it here, but director Jerry Zucker (Ghost) keeps the action moving with exuberant spirit and glorio! us production values. Even if you don't completely believe Richard Gere as a somewhat too-contemporary Lancelot, the performances of Ormond and especially Connery are effortlessly appealing. --Jeff ShannonTogether, Sean Connery, Richard Gere, Julia Ormond (Legends of the Fall, Sabrina) and Jerry Zucker,the director of Ghost, bring you a new vision of King Arthur's Camelot. A vision of breathtaking battles, of heart-pounding courage, of the undeniable love that brought an entire kingdom to its knees... and of the undying passion that made it live forever.1995 had already seen the box-office success of sword-wielding heroes in Rob Roy and Braveheart when along came this glossy revision of the Arthurian legend, in which Lady Guinevere (Julia Ormond) is torn between her love for the noble King Arthur (Sean Connery) and the passionate knight Sir Lancelot (Richard Gere). As the story opens, Guinevere's lands are under attack by the! evil knight Malagant (Ben Cross), and she must choose between! marriag e to Arthur and the security of Camelot, or encouraging the affections of Lancelot, who has heroically rescued her from a potentially lethal attack. Anyone looking for meticulous medieval authenticity won't find it here, but director Jerry Zucker (Ghost) keeps the action moving with exuberant spirit and glorious production values. Even if you don't completely believe Richard Gere as a somewhat too-contemporary Lancelot, the performances of Ormond and especially Connery are effortlessly appealing. --Jeff Shannon

Raider's Heart (Backwoods Brides)

  • ISBN13: 9781602609488
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Just outside the small town of Raven Springs there's a curious little inn. Is it just a coincidence that a number of missing people spent their last night there? That's what Jimmy Clevis aims to find out. He's tracking down a man who seems to have vanished into thin airâ€"and his trail stops dead at Raven Springs. Jimmy has no choice but to check into the inn and find out for himself what mysteries are waiting behind its doors. But will he be able to do what others before him couldn't? Will he survive his stay?

100 Simple Recipes from Gertie Johnson's Backwoods Kitchen. Delicious doesn't have to be complicated. Cora Mae shares her specialty - The Hot and Heavy Manly Sandwich. Kitty tak! es Drop Dead Desserts to a new level. Even Grandma Johnson gets into the act with several old-time recipes, including her award winning casserole. Included Finnish and Swedish delicacies.100 Simple Recipes from Gertie Johnson's Backwoods Kitchen. Delicious doesn't have to be complicated. Cora Mae shares her specialty - The Hot and Heavy Manly Sandwich. Kitty takes Drop Dead Desserts to a new level. Even Grandma Johnson gets into the act with several old-time recipes, including her award winning casserole. Included Finnish and Swedish delicacies.

Steal away to the Old South with Marcia Gruver’s Backwoods Brides series. Two brothersâ€"one violent and one gentleâ€"belong to a family of bandits. While Duncan McRae can hardly stomach their raids, his brother Hooper revels in the violence perpetrated by the band of thieves. When they meet mild-mannered Dawsey Wilkes, the compe! tition steps up a notch as the brothers vie for her hand. Whic! h maraud er will steal Dawsey’s heart? Meanwhile, Dawsey holds the key to Dilsey McRae’s past. What will Dilsey do when she discovers the truth?

(20110107)
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